SCOWL, Impetus Ex Caenum (2013, Speed Ritual)

The skull:
Man, that’s a lot of bullets. But, if you look closely, you can see the outline of the lower jaw, and from its position, it doesn’t appeal that the teeth are parted. So, maybe these bullets were drawn in after the fact? The way they extend around the back, it’s as if the entire skull were opened up to accomodate them, when clearly that’s not the case. But, whatever, man: Scowl’s artist didn’t waste his time in school time learning anatomy or perspective from The Man. He draws what he knows, and what he knows is a big dumb skull in a silly hat with a mouthful of bullets. What’s not to like?

The music:
The music, that’s what, Impetus Ex Caenum is low-fi D-beat of the dullest sort. If it wasn’t recorded live in their rehearsal room, then they certainly spent too much at whatever studio they went to. Everything about this is a sloppy mess, but the drummer deserves a special mention for his ineptitude. I don’t know why anyone would go to the hassle and trouble of starting a band, just to make this. Scowl makes me long for the fabled creative genius of Skullfather.

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